Goddess Saraswati Devi Aarti

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Saturday, January 31, 2009

Saraswati Mataji Ki Aarti
सरस्वती आरती
Jai Sarasvati mata,
jai he Sarasvati mata Sadgun vaibhav shalini,
tribhuvan vikhyata,
Jai Sarasvati....
Chandravadani padmasini dyuti mangalakare,
Sohe shub hansa savare,
atul tejdhari,
Jai Sarasvati....
Baen kar men vina,
daen kar mala,
Shish mukut mani sohe,
gal motiyan mala,
Jai Sarasvati....
Devi sharan jo ae,
unka uddhar kiya,
Paithi Manthra dasi,
Ravan sanhar kiya,
Jai Sarasvati....
Vidya gyan pradayini,
jag men gyan prakash bharo,
Moh aur agyan timir ka jag se nash karo,
Jai Sarasvati....
Dhup dip phal meva,
man svikar karo,
Gyanchakshu de mata,
jag nistar karo,
Jai Sarasvati..,.
Man Sarasvati ki arti jo koi jan gave,
Hitkari sukhkari,
gyan bhakti pave,
Jai Sarasvati....



This means the follower of Devi Saraswati sings her glory, who is renowned through the three spheres of universe as the treasure-house of all great noble virtues. The Goddess is glowing and as beautiful as the moon. She is seated on a lotus and very bright in appearance. She is the source of all blessings. Her vehicle is the auspicious swan, which is also very elegant. In her left hand the Goddess has a Veena or lute and in the right hand she holds a wreath. Her head is decorated with splendid crown of gems and around her neck there is a pearl necklace.

The devotee who has taken shelter to Goddess Saraswati was released from cycle of birth and death. She is also the cause of Ravana`s death as she perverted the mind of queen Kaikayee`s maid Manthara.

Goddess Saraswati is the bestower of learning and skill and illuminates the world with light of knowledge and dispels the darkness of ignorance and infatuation. The follower of Devi Saraswati prays to accept the gift of incense, light, dried fruits and sweets and to endow the world with eyes of knowledge, which ferry across the ocean of phenomenal world. Whosoever sings this hymn to Mother Saraswati, becomes a recipient of knowledge and devotion, both of which are beneficial and yield great happiness.




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Saraswati Chalisa in Hindi

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Saraswati Chalisa







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Saraswati Chalisa in English Text

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Friday, January 30, 2009

II Doha II

Janak Janani Pad Kamal Raj, Nij Mastak Par Dhaari,
Bandau Maatu Saraswati, Buddhi Bal De Daataari.
Purn Jagat Mein Vyaapt Tav, Mahima Amit Anantu,
Ramsaagar Ke Paap Ko, Maatu Tuhi Ab Hantu.



Jay Shri Sakal Buddhi Balaraasi, Jay Sarvagya Amar Avinaasi.
Jay Jay Veenaakar Dhaari, Karati Sadaa Suhans Savaari.

Roop Chaturbhujadhaari Maata, Sakal Vishv Andar Vikhyaata.
Jag Mein Paap Buddhi Jab Hoti, Jabahi Dharm Ki Phiki Jyoti.

Tabahi Maatu Le Nij Avataara, Paap Heen Karati Mahi Taara.
Baalmiki Ji The Baham Gyaani, Tav Prasaad Janie Sansaara.

Raamaayan Jo Rache Banaai, Aadi Kavi Ki Padavi Paai.
Kalidaas Jo Bhaye Vikhyaata, Teri Kripaa Drishti Se Maata.

Tulasi Sur Aadi Vidvaana, Bhaye Aur Jo Gyaani Nana.
Tinhahi Na Aur Raheu Avalamba, Keval Kripa Aapaki Amba.

Karahu Kripa Soi Maatu Bhavaani, Dukhit Din Nij Daasahi Jaani.
Putra Karai Aparaadh Bahuta, Tehi Na dharai Chitt Sundar Maata.

Raakhu Laaj Janani Ab Meri, Vinay Karu Bahu Bhaanti Ghaneri.
Mein Anaath Teri Avalamba, Kripa Karau Jay Jay Jagadamba.

Madhu Kaitabh Jo Ati Balavaana, Baahuyuddh Vishnu Te Thaana.
Samar Hajaar Paanch Mein Ghora, Phir Bhi Mukh Unase Nahi Mora.

Maatu Sahaay Bhai Tehi Kaala, Buddhi Viparit Kari Khalahaala.
Tehi Mrityu Bhai Khal Keri, Purvahu Maatu Manorath Meri.

Chand Mund Jo The Vikhyaata, Chhan Mahu Sanhaareu Tehi Maata.
Raktabij Se Samarath Paapi, Sur-Muni Hriday Dhara Sab Kampi.

Kaateu Sir Jim Kadali Khamba, Baar Baar Binavau Jagadamba.
Jag Prasidhdh Jo Shumbh Nishumbha, Chhin Me Badhe Taahi Tu Amba.

Bharat-Maatu Budhi Phereu Jaai, Ramachandra Banvaas Karaai.
Ehi Vidhi Raavan Vadh Tum Kinha, Sur Nar Muni Sab Kahu Sukh Dinha.

Ko Samarath Tav Yash Gun Gaana, Nigam Anaadi Anant Bakhaana.
Vishnu Rudra Aj Sakahi Na Maari, Jinaki Ho Tum Rakshaakaari.

Rakt Dantika Aur Shataakshi, Naam Apaar Hai Daanav Bhakshi.
Durgam Kaaj Dhara Par Kinha, Durga Naam Sakal Jag Linha.

Durg Aadi Harani Tu Maata, Kripa Karahu Jab Jab Sukhadaata.
Nrip Kopit Jo Maaran Chaahei, Kaanan Mein Ghere Mrig Naahei.

Saagar Madhy Pot Ke Bhange, Ati Toofaan Nahi Kou Sange.
Bhoot Pret Baadha Yaa Dukh Mein, Ho Daridra Athava Sankat Mein.

Naam Jape Mangal Sab Koi, Sanshay Isame Karai Na Koi.
Putrahin Jo Aatur Bhaai, Sabei Chhaandi Puje Ehi Maai.

Karai Path Nit Yah Chaalisa, Hoy Putra Sundar Gun Isa.
Dhupaadik Naivedy Chadhavei, Sankat Rahit Avashy Ho Jaavei.

Bhakti Maatu Ki Karei Hamesha, Nikat Na Aavei Taahi Kalesha.
Bandi Path Kare Shat Baara, Bandi Paash Door Ho Saara.

Karahu Kripa Bhavamukti Bhavaani, Mo Kahn Daas Sadaa Nij Jaani.

II Doha II

Maata Sooraj Kaanti Tav, Andhakaar Mam Roop,
Dooban Te Raksha Karahu, Paru Na Mein Bhav-Koop.
Bal Buddhi Vidya Dehu Mohi, Sunahu Sarasvati Maatu,
Adham Ramasaagarahi Tum, Aashray Deu Punaatu.




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Download Saraswati Vandana MP3 for free

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Saraswati Vandana Mantra is an important mantra dedicated to Goddess Saraswathi, the Hindu goddess of learning. It is recited every morning by Hindus and students to gain knowledge and wisdom. It is also recited during Saraswati Puja. Here is the MP3 of Saraswati Vandana for download.

Link – Download Saraswati Vandana MP3

Yaa Kundendu Tushaara Haara Dhavalaa,
Yaa shubhra vastravritha,
Yaa veena varadanda manditakara,
Yaa shwetha padmaasana
Yaa brahmaachyutha shankara prabhritibhir Devaisadaa Vanditha
Saa Maam Paatu Saraswati Bhagavatee Nihshesha jaadyaa-pahaa




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18 SHAKTI PEETAS

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Wednesday, January 28, 2009

The Shakti Peethas (holy places of cosmic power) are places of worship consecrated to the goddess 'Shakti', the female principal of Hinduism and the main deity of the Shakta sect. They are sprinkled throughout the Indian subcontinent.

This goddess is often associated both with Gowrī/Parvati, the benevolent goddess of harmony, marital felicity and longevity, with Durga, goddess of strength and valour, and with Mahakali, goddess of destruction of the evil.

This list of Ashtadasa Shakti peethas ( 18 Shakti Temples / Temples of Mother Goddess). It is a clear representation of Aadi Shankaracharya’s Astadasha Shakti peeta Stotram:

Lankayam Shankari devi, Kamakshi Kanchika pure /
Pradyumne Shrinkhala devi, Chamunda Krouncha pattane //

Alampure Jogulamba, Sri shaile Bhramarambika /
Kolha pure Maha lakshmi, Mahurye Ekaveerika //

Ujjainyam Maha kali, Peethikayam Puruhutika /
Odhyane Girija devi, Manikya Daksha vatike //

Hari kshetre Kama rupi, Prayage Madhaveshwari /
Jwalayam Vishnavi devi, Gaya Mangalya gourika //

Varanasyam Vishalakshi, Kashmire tu Saraswati /
Ashtadasha Shakti peethani, Yoginamapi durlabham //

Sayamkale pathennityam, Sarva shatri vinashanam /
Sarva roga haram divyam, Sarva sampatkaram shubham //





































Sankari / Thrimkomali (Sri Lanka)Kamakshi / Kanchi (Tamilnadu)Shrinkhala (West Bengal)
Chamundeswari / Mysore (Karnataka)Jogulamba / Alampur (Andhra Pradesh)Bhramaramba / Srisailam (Andhara Pradesh)
Maha lakshmi / Ujjaini (Maharashtra)Ekaveera / mahur (Maharashtra)Mahakali / Kolhapur (Maharashtra)
Puruhutika /
Pithapuram (Andhara Pradesh)
Manikyamba / Draksharamam (Andhra Pradesh)Girija / Biraja (Orissa)
Kama rupini / Gauhati (Assam)Madhaveswari / Lilita / Prayaga (Uttar Pradesh)Vaishnavi / Jwalamukhi (Himachal Pradesh)
Mangala gauri / Gaya (Bihar)Visalakshi / Varanasi (Uttar Pradesh)Saraswati / sharika (Jammu & Kashmir)



Google Map of 18 shakti Peetas (Get A Clear Idea)




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అష్టాదశ శక్తిపీఠాల‌ వివరాలు (Telugu)

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అష్టాదశ శక్తిపీఠాల‌ వివరాలు ఆదిశంకరాచార్యులు వ్రాసిన క్రింది పద్యాల నుండి సంగ్రహించబడినవి.

లంకాయాం శాంకరీ దేవి , కామాక్షి కాంచికా పురే /
ప్రద్యుమ్నే శృంఖలా దేవి , చాముండా క్రౌంచ పట్టణే //

అలంపురే జోగులాంబా , శ్రీశైలే భ్రమరాంబికా /
కొల్హాపురే మహాలక్ష్మి , మాహుర్యే ఏకవీరికా //

ఉజ్జయిన్యాం మహాకాళి , పీఠికాయాం పురుహూతికా /
ఓఢ్యాణే గిరిజా దేవి , మాణిక్యా దక్షవాటికే //

హరి క్షేత్రే కామరూపి , ప్రయాగే మాధవేశ్వరి /
జ్వాలాయాం వైష్ణవి దేవి , గయా మాంగల్య గౌరికా //

వారణాశ్యాం విశాలాక్షి , కాశ్మీరేతు సరస్వతి /
అష్టాదశ శక్తిపీఠాని , యోగినామపి దుర్లభం //

సాయంకాలే పఠేన్నిత్యం , సర్వ శతృ వినాశనం /
సర్వరోగ‌ హరం దివ్యం , సర్వ సంపత్కరం శుభం //

అష్టాదశ శక్తిపీఠాల స్థానాలను చూడడానికి అష్టాదశ శక్తిపీఠాల మ్యాపు ని దర్శించండి

అష్టాదశ శక్తిపీఠాలు :

భ్రమరాంబ / శ్రీశైలం
[ ఆంధ్రప్రదేశ్ ]
మహాకాళి / ఉజ్జయిని
[ మధ్యప్రదేశ్ ]
జోగులాంబ / అలంపూర్
[ ఆంధ్రప్రదేశ్ ]
ఏకవీర / మాహూర్
[ మహారాష్ట్ర ]
మాణిక్యాంబ / ద్రాక్షారామం
[ ఆంధ్రప్రదేశ్ ]
మహాలక్ష్మి / కొల్హాపూర్
[ మహారాష్ట్ర ]
పురుహూతికా / పిఠాపురం
[ ఆంధ్రప్రదేశ్ ]
గిరిజ‌ / బిరజ‌
[ ఒరిస్సా ]
కామరూపిణి / గౌహతి
[ అస్సాం ]
శాంకరి / త్రింకోమలి
[ శ్రీలంక ]
మంగళ గౌరి / గయ‌
[ బీహార్ ]
కామాక్షి / కంచి
[ తమిళనాడు ]
వైష్ణవి / జ్వాలాముఖి
[ హిమాచల్ ప్రదేశ్ ]
శృంఖ‌ల
[ పశ్చిమ బెంగాల్ ]
సరస్వతి / శారిక / శ్రీనగర్
[ జమ్ము & కాశ్మీర్ ]
మాధవేశ్వరి / లలిత / ప్రయాగ / అలహాబాద్
[ ఉత్తరప్రదేశ్ ]
చాముండేశ్వరి / మైసూర్
[ కర్ణాటక ]
విశాలాక్షి / వారణాశి
[ ఉత్తరప్రదేశ్ ]




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Tiruvanamalai (Arunachalam) , Tamil Nandu

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Monday, January 26, 2009

Temple is an externalized aspect of faith, and it is a place to restore peace and harmony. What great seers have visualized has been made outwardly real in a temple. This temple is safely edifice consecrated to the Lord of Light and other deities, built centuries ago at the foot of the hill to form the seat of worship. The main entrance to the sanctum sanctorum is in the eastern tower, the tallest structure in proportion to the other dimensions of this largest temple forming part of it. The tower rising heavenward is marvelously massive and magnificently majestic one with its imposing structural elegance and inviting architectural excellence and awes people at a distance.

Temple is the world's only social hope and the sole promise of peace and harmony; It purifies the society, and looks at the world with the intention of serving it, and strengthening society spiritually uniting people. The temple stands for the eternal, and the great glory of god where people praise the name of god and sing his glory. The temple offers you something you simply cannot get else where.

An Endless Echo of an incantation.

An incantation of ecstatic import echoes endlessly through out the city. This verified phrase of wisdom which glorifies lord is a holy utterance having the stamp and dignity of divinity, it yields a nourishment to the mind; it is sweet to the soul, and wholesome to the body. This line is cluster of words is the temple in which the soul of those chant is enshrined;

It has an immense power to

* Refresh the mind and make truth flow the clearest into it
* Nurses the sprit
* Wakes the soul and

Wings it with sublime desire as fits it bespeak deity. When this Manthram of marvelous power is intoned with prayerful attitude it

* Revives one's being
* Touches the root of the matter
* Calls in one's spirit
* Composes his thought
* Delights his ear
* Recreates his mind.
* Exhilarates his soul

Lord Annamalai appears to visionary souls in the form of conflagration attended with light and heat, but to an ordinary observer there is rocky hill in this place. The grandeur of this sthala: The Earth is composed of five elements namely Earth, Fire, Water, Air and Ether. The physical body of the throbbing life is also composed of these five elements.

There are are sacred spots (Pancha Bootha Sthalas ) of these five elements.

Of these five holy sthalas Thiruvannamalai is the Theju sthala. To think about Thiruvannamalai alone bestows liberation and this sthala naturally stands first. One can obtain salvation (Mukthi) by remaining in one's place and thinking of Thiruvannamalai.

This Mukthi sthala spreads an expanse of 25 acres containing the temple of Lord Arunachala with tall towers piercing the sky. This shrine is famous not only in India but throughout the world.

Legends declare that those who pronounce the name of this sthala once, secure the bliss of repeating three crores of times the panchakshara (the Mantra of five words) and that not only those who visited and worshipped in this sthala, but also their descendents up to 21 generations will get liberation.

As one enters the city Thiruvannamalai, the Rajagopuram standing majestically, soaring a height of 217 feet comes to view first. It has 11 stories. This tower is a standing testimony to the artistic genius of the Vijayanagar Dynasty.

The Paathala (underground) Linga which is inside the temple in the south west corner of thousand pillared hall is one where Ramana Maharishi worshipped and secured liberation. Next comes Kambath Illayanar Sannadhi where Arunagiri Swami, the author of Thirupugazh was granted Mukthi.

The temple has Six enclosures which includes 9 gopurams(Towers).

* In the West - Pey Gopuram
* In the North - Ammani Ammal Gopuram
* In the South - Thirumanjana Gopuram.

Among the Gopurams Raja Gopuram is the big tower in the east and it was built by the King Vallala. And also the Entrance to the temple.
About Enclosures

The first and second enclosures are the oldest one which has been structured very long back. The second enclosure has the idols of 63 Nayanmars. Third enclosure was structured by the King Kulothunga. It includes 16 pillars mandabam.

The fourth and fifth enclosures were constructed in 16th Century. This includes big Nandhi, Sivaganga Thirtha(Tank) and the wall enclosing huge structures.

The Katchi Mandapam or hall of Darshan. During the famous festival Karthigai Deepam the five deities are brought to this Mandapam, to be worshipped by the devotees when the grand and gigantic lamp (Deepam) is lit on the top of the holy hill.

The third enclosure houses the temple of Unnamalai Amman the name of Parvathi, Shiva's consort in Thiruvannamalai.

The second enclosure houses the Isanya Lingam, Indra Lingam and several deities. The Utsava Murthis , made of Pancha Lohas or five metals, which are taken out for processions.

The first prakaram which has the sanctum sanctorum (Garba Graha) of lord Annamalai, the presiding deity of the temple and the holy place.

Thousand Pillar Hall

On entering the temple through the east tower the big structure one faces on the right is the thousand pillared hall. There are indications that it was built by Krishnadevaraya. The thousand pillared hall sports exactly 1000 pillars. the pillars are carved , with sculptures of Naik periods and some divine images. Sages, Vishnu's incarations too find a place with floral designs.

Siddhi Vinayagar

The prime God Lord Ganesha also resides near the Sivaganga Theertha (tank) in the name of "Siddhi Vinayaga" and also called "Sivagangai Vinayagar".

Annamalai sthala has a special place in the history of our Culture and Religious life. The hill Annamalai has been responsible for the blossoming of several Saints and Ghanis. Many saints have attained liberation here.

Arunachala is a sthala is as old as human civilization shines with its own glory, that burns the ego afflicting human beings.




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Kailasanatha Temple, Kanchipuram, Tamil Nadu

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The Pallava kings of ancient Tamil Nadu in Kanchipuram built Kailasanatha temple. These Pallava kings ruled from their capital city Kanchi or Kanchipuram (75 km from Chennai). They were great patrons of art and architecture.

The Kailasanatha temple is one of the earliest structural temples of the Pallavas. This temple was built of blocks of sandstone. The temple was dedicated to Lord Siva. During the reign of Narasimhavarman II, better known as Rajasimha (691-728 A.D.), the Kailasanatha temple was constructed. This temple has its main sanctum facing the east side. The rear wall of the temple has a sculpture of Somaskanda (Lord Siva and Uma with son Muruga in the centre), which was always seen in Siva temples of the Pallava age. There is a large sixteen-sided `Siva linga` in the temple shrine here. This linga was polished of granite, about eight feet in height in front of this sculpture, which was placed here at a later date. There is a rare feature here, which is very narrow, winding circumbulatory (pradakslrina) passage around the sanctum. It is very difficult to enter and walk through as it has very low height.

Unique feature of the Kailasanatha temple is that it was built almost entirely of sandstone with only few parts like the foundation being in solid granite to bear the weight of the big structure. The shrine is situated just in front of the main entranceway to this temple and this is unique feature of it. No other Tamil shrines are situated like this. This shrine of the Kailasanatha temple blocks the view of the main sanctum. This small shrine was built by Mahendravarman III, a son of Rajasimha, and named after him as Mahendravarmeshvara griham.

There is a `Somaskanda` panel in the Kailasanatha temple, which is said to be the original image worshipped here. There is a linga on the rear wall, which belonged to a later age. The row of fifty-eight miniature shrines on all four sides of the courtyard of this temple-complex facing the main temple is very remarkable feature of the temple. All these shrines here are of square shaped and are of sandstone. There are very gorgeous sculptures found inside the inner wall and on some of them the `Somaskanda panel` can be found. There is small gopuram at the entrance of the temple.

The Kailasanatha temple has many attractive sculptures, which portrays the different manifestations of Lord Siva like Dakshinamurti, Lingodhbhavamurti, Gajasamharamurti and many others. These sculptures also depict Siva in various dance poses; speak of the skill and deftness of the Pallava sculptors and master craftsmen. There is a large stone image of Nandi can be seen at a short distance to the east of this temple on a square platform. This massive Nandi sculpture is about six or seven feet in length and faces the main temple. It is ornamented with carvings of bells and jewels and there are four pillars with the Vali motif, one on each corner of the platform. This indicates that probably there was once a roof over it.


The various inscriptions of the Kailasanatha temple provide a lot of information about the history of the Pallavas, especially of the reign of its patron, king Rajasimha. This temple gives a good idea of the history, archaeology, temple architecture and iconography of the South Indian history and culture.




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Jambukeswarar Temple, Tiruvanaikka, Tamil Nadu

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Jambukeswarar TempleSignificance: This ancient temple is dedicated to Shiva (Jambukeswara) and Parvati (Akhilandeswari) is the foremost Saivite shrines in Tamilnadu. This large temple celebrates Shiva as Jambukeswara, an embodiment of element water and is called Appustalam and is a Pancha Bhoota Stalams - the other being Tiruvannamalai (fire), Chidambaram (Space), Kanchipuram (Earth) and Kalahasti (Air) respectively.


Antiquity: This temple was built in the 1st century BC and was patronized by the Chola Pandya, Hoysala and the Madurai Naik kings. The Chola King Ko Chenkannan built the temple. This temple was in existence during the Sangam period, and it has undergone major changes over the last 2000 years. Inscriptions from the tenth century tell of the Chola patronage. The Pandyas and the Hoysalas contributed to the Eastern tower. Architecture: This temple has five prakarams with massive walls and lofty towers. The second and the third prakarams date back to the thirteenth century. The Akhilandeswari shrine is located in the fourth prakaram. The Eastern tower has seven levels with fine sculptures of musical scenes, while the Western tower has nine levels. The first prakaram was renovated in the 20th century.

Jambukeswarar TempleLegends: There was a forest of Jambu trees near the Chandrateertha tank and Shiva is appeared under one of the trees as a lingam. Two devotees of Shiva were born under a curse as a white elephant and a spider. The elephant worshipped Shiva with flowers and water brought in its trunk hence the name Tiru Aanaikka. The spider worshipped the lingam by spinning a web on top, to protect it from falling leaves. The elephants destroyed the spider`s web, and the spider`s web was considered a desecration in the eyes of the elephant. This led to a fight between them and their death. The spider was reborn in the royal Chola family. His parents Subhadeva and Kamalavati prayed to Nataraja of Chidambaram for a male successor. The royal astrologer predicted the time and birth of a successor who would be a great ruler.




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Sri Kalahasti Temple , Andhra Pradesh

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Deity: Shiva-Vayu- Kalahasteeswara.

The Kalahasti temple is dedicated to Kalahasteswara worshiped as Vayu Lingam. The Vayu Lingam, represents the element wind out of the five elements of Agni, Vaayu, Aakasam, Jalam and Prithvi. This temple is renowned for performing Sarpadosha (Rahu Ketu) Nivaarana Pooja.

This temple was constructed in the 12th century by the Chola king, Rajarajendra. Vayu incarnated as Lord Shiva and is worshipped as Kalahasteeswara. This is an important temple dedicated to Lord Siva. This temple`s main idol is the vayu (air) linga. There is a lamp burning inside the inner sanctum that constantly flickers despite the lack of air movement inside. The vayu-linga can be seen moving despite the doors being closed. The sanctum has no windows, the lamp flames keep moving despite no air movement. The linga is white and is considered Swayambhu - self-manifested.

Kalahasti is surrounded by two hills. The Durgamba temple on the north hill and the shrine of Kannabeswara on the south hill, in memory of the Sage Kannappa, who offered an eye to the Lord. There is also a temple dedicated to Subramanya on one of the hills. A river flowing in the north washes the foot of the temple. The main linga remains untouched by human hands, even the priests do not touch it. Abhishek (bathing) is done by pouring a mixture of water, milk, camphor and panchamrita. Sandal paste, flowers and the sacred thread are offered to the utsava-murti, and not the main linga. It has an enormous, ancient gopuram over the main gate, which is 36.5 metres (120 feet) high and the entire temple is carved out from the side of the hill. King Krishnadeva Raya built this temple in1516. The temple is very ornate with elaborately designed pillars, altars, etc.

The temple occupies the area between the riverbanks and the foot of the hills and is known as Dakshina Kailasam. The three gopurams are remarkable in their architecture. A hundred-pillared mantapam is another important feature of this shrine. The tower was established nearly a thousand years ago. The various stupas and temple testify to the antiquity of the place.

Legend: As the legend goes, the town got its name because of the temple named after Sri (spider) Kala (serpent) hasti (elephant) after the three ardent devotees of Lord Siva. These three animals attained divinity by worshipping Lord Siva. The spider was Vishwakarma`s (architect of the deva ganas) son Oornanabha. He was trying to replicate Brahma`s creation and thus annoyed Brahma who cursed him to become a spider. Siva himself cursed the snake. The elephant was god Pramadha cursed by Siva`s wife, Parvati, when he intruded on their privacy. The Siva linga here is an amalgamation of the three animals.

The spider as devotion wanted to spin webs in the shape of temples and mantapams. The morning dewdrops would make the cobwebs look like pearl houses and sunrays would make them shine like rubies. But these would break and crumble with the wind. The spider would connect the threads and weave the web all over again. One day Siva, to test the spider`s devotion, burned his webs with a lamp from his shrine. The enraged spider swallowed the flame and sacrificed its life. Pleased with his devotion, offered the spider a boon, Siva merged the spider unto Himself. And so one can still see the spider on the Linga.

The serpent worshipped the linga with precious gems. An elephant, would bathe in the nearby Swarnamukhi River, push the precious gems away and worship the linga with leaves and flowers from the forest. On the next day the snake, would find her precious offerings pushed away, would get enraged. The serpent pushed away the leaves and flowers and worshipped the linga with the precious gems it brought from underground. One day the snake got upset and kept a watch hiding under the leaves waiting to catch the mischief-maker. The elephant also lost its temper finding her offerings pushed away. One day it came early and was pleased to find the flowers undisturbed. It went and took bath and brought fresh flowers and leaves. While the elephant was clearing the previous day`s leaves and flowers, the snake got into the elephant`s head through its trunk, causing unbearable pain. The elephant ran helter-skelter with pain and banged its head on a mountain. He died; the snake was also crushed to death. Lord Siva took them into his fold.

The main linga is shaped like an elephant trunk, with tusks on each side and a figure of the spider at the bottom. If you look at the linga from above it looks like a snake with five hoods. The spider is call "Sri," the snake "Kala," and the elephant "Hasti." The three names are combined together in the name Srikalahasti. The spider is said to have a web above the linga to protect it from the sun and rain. The elephant would get water with its trunk and bath the linga (perform abhisheka) and the snake would perform worship.

There are ever so many stories about Srikalahasti. As the legend goes, the Siva Linga, which is in Srikalahasti, actually belongs to Vali (Sugreeva`s brother) of Ramayana. Once, on his way to some place (being an ardent devotee of Siva, he carried the linga wherever he went), Vali stopped near a lake for morning abulations. He placed the Linga on the ground and went to take bath in the lake, before worshipping the Linga. After the pooja, when Vali tried to lift the Linga to proceed with his journey, he could not budge it from its place, however hard he tried. He came to the conclusion that Lord Siva was enamoured by the beautiful big lake and hence did not wish to leave. He spotted a mountain nearby, uprooted it and dumped it in the lake, which flowed as the present Swarnamukhi River. Even then the Linga would not budge. So Vali had to give up his efforts and proceed, leaving the Linga there.

The main temple is dedicated to Lord Siva, the destroyer among the Trimurties. The linga here is one of the Panchabhuta lingas (made up of the five elements) - wind, water, fire, earth and ether. The linga at Srikalahasti is Vayulinga or one made of wind. Jala linga is made of water, at Jambukeswara; Jyothir linga is made of fire, at Arunachalam; Aksha linga is made up of ether, at Chidambaram; and Prithvi linga, is made of earth, at Sivakanchi - the four elements of the universe.

The skillful Yadava architecture of the temple is such that the flame flickers continuously in the sanctum sanctorum, indicating the presence of wind near the deity. The shaft of air in the sanctum sanctorum is considered as the Linga or the main deity - Vayulinga, there is another idol, Srikalahastiswara Linga - on to which are embedded the images of a spider, snake and elephant - which is offered puja and rituals. The Tondaman emperor and later the Pallava rulers contributed to the growth of the temple. After Pallavas, the Cholas remodeled the temple premises and built huge walls around it. The temple complex is a maze of structures. The temple has four major entrances each with a huge tower above.

There is an Alms Tower - Bichchala Gopuram. It is a small tower constructed by the Yadava kings by collecting alms and hence the name. The huge compound has a large flower garden, rooms for making garlands, eating places and a place for Vasanthotsavam (festival of colors) during Holi in the names of Chookkeswara and Meenakshi. In the compound, there is an underground temple for Ganesh and an entrance leading to the Kannappa Hill. Since entrance is dark, it takes a while to go to Kannappa Hill and come back. The Kannappa Gudi is a single cell temple, with the icon of Kannappa, on the eastern side of the main temple. Here Kannappa offered his eyes to Lord Siva. The Sivalinga is outside the temple under a tree, commemorating the whole episode.

Durgamba Hill - is 800 meters high on a hillock to the north of Sri Kalahastiswara temple, housing a small shrine of Durgamba. A flight of steep but broad steps, lead to the temple.





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Chidambaram Natarajar Temple, Tamilnadu

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Significance: Chidambaram has ancient and celebrated shrines in India. Chidambaram is associated with Nataraja or Shiva in Ananda Tandava pose (the Cosmic Dance of bliss) in the golden hall and the Chit Sabha. Shiva is also worshipped here as formless - Chidambara Rahasyam. Therefore the temple is known for its Akasa Lingam.

Antiquity: When the temple came about to be is unknown but literature mentions the tradition of Shiva (Nataraja) worship in existence as early as the Sangam period. The later Chola kings (Aditya I and Parantaka I) decorated the roof with gold, and the other Chola kings treated Nataraja as their guardian deity and made several endowments. The Pandya kings followed them, and the Vijayanagar rulers made endowments to the temple. There is a stone image of Krishnadevaraya in the North Gopura, which he erected. During the 18th century the Mysore rulers used this temple as a fort. During this period, the images of Nataraja and Sivakamasundari were housed in the Tiruvarur Tyagaraja temple for safety.

Each of the four most revered Saivite Saints (Appar, Sundarar, Sambandar and Manikkavacakar) has worshipped at Chidambaram, and their images are placed at the temple entrances corresponding to the points from whence they entered - (Sambandar - South, Appar - West, Sundarar - North and Manikkavacakar - East).

Legends: Aadi Sesha, heard about the splendor of Shiva`s cosmic dance. And had the desire to witness it. He descended to earth as Patanjali. Vyagrapaadar, another devotee of Shiva prayed to obtain the tiger`s claws so that he could obtain the sacred Vilva leaves meant for Shiva`s worship at Chidambaram. At the appointed hour, Shiva (with Sivakami) granted to Patanjali and Vyagrapaadar, a glimpse in to his cosmic dance with the other goods accompanied by playing the music. Vishnu witnessed this dance, and the Govindaraja shrine was built to commemorate this. Shiva performed the dance after his victory over the ascetics of Daruka Vanam.

Another legend, states the dance duel between Shiva and Kali. Shiva lifted his left foot towards the sky in the Urdhuva Tandava posture - a definite male gesture. Kali could not strike a similar pose and so Shiva emerged victorious. Thus Kali was shifted to another temple on the outskirts of Chidambaram. This legend is depicted on the walls of Nritta Sabha, within the Chidambaram temple.

Nataraja: The dance of bliss symbolizes the five divine acts (pancha krityas) of creation, sustenance, dissolution, concealment and bestowment of grace. The dance of Shiva is frozen in time here and is worshipped in Nataraja Sabhas. Five of the foremost Sabhas (Pancha Sabhai) are at Chidmbaram (Kanaka Sabhai the hall of gold), Madurai (Rajata Sabhai the hall of Silver), Tiruvalangadu near Chennai (Ratnasabhai the hall of rubies), Tirunelveli (Tamrasabhai the hall of copper) and Kutralam near Tirunelveli (Chitrasabhai the hall of pictures). Other dance halls of significance are Adri Sabhai (the Himalayas), Aadi Chitsabhai (Tiruvenkaadu near Chidambaram) and Perur Kanakasabhai (Patteeswarar temple at Perur near Coimbatore).

Architecture: The Chidambaram Nataraja temple is an incorporation of several architectural styles. The Chitsabha is a wooden structure supported by wooden pillars, and a hut shaped roof. This hall, has images of Nataraja and Sivakami housed behind a set of curtains, the inner (invisible) is red in color, the outer is black in color. To the right of Shiva, is the revered Chidambara rahasyam - garlanded with golden vilva leaves. The curtain in front of the Chidambara Rahasyam, represents Shiva (and Parvati) in the formless form (Aroopam) is lifted ceremoniously during worship services, and offered lamps. Also in the Chitsabha are the images of Ratnasabhapati (Nataraja of Ruby), the Spatika Lingam of Chandramauleeswara, Swarnakarshana Bhairavar, and Mukhalingam.


The Golden Hall, or Kanaka Sabha lies immediately in front of the Chit Sabha, both on an elevated platform have silver panelled doors. The Chit Sabha is a meter or so higher than the Kanaka Sabha and can be reached by a flight of five silver plated steps, marking the five aksharas (or syllables) of the Panchakshara Mantram (the five syllabled Namasivaya).

From across the Nataraja shrine in the second prakaram is the Nritta Sabha or the hall of dance with fine pillars, and houses an image of Shiva in the Urdhva tandava posture, and an image of Sarabheswara - another form of Shiva. The Nritta Sabha has fine pillars and is in the shape of a chariot drawn by horses. The Deva Sabha or the house of Gods is also in the second prakaram, housing festival images of the Pancha Murtis (Somaskandar, Parvati, Vinayaka, Subramanya and Chandikeswara) and other deities. Mulanathar, or the representation of Shiva as a lingam is housed in the second prakaram.

Perhaps the most magnificent structures in the temple are the four lofty gopurams or towers in the four cardinal directions, over the walls of the outermost prakaram. Each is a massive about 250 feet in height, with seven tiers. The Western tower is the oldest one. In the towers, on either side of the gateways there are the 108 poses of the classical Bharata Natyam Tradition. The towers are embellished with images from Hindu mythology. From the second tier onward, each gopuram has images of various manifestations of Shiva. There are no Natarajas` on the temple towers, this image is reserved for the innermost shrine alone.

Festivals: Two annual Bhrammotsavams at Chidambaram are of great significance, as they involve colorful processions of festival deities in the car streets. The grandest of these occurs in the month of Margazhi (Dec 15 - Jan 15. The second happens in the month of Aani, and it concludes with Aani Tirumanjanam on the tenth day, in a manner similar to Arudra Darisanam in Margazhi. These festivals precede the summer and winter solstices (ie. Gemini and Sagittarius).




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Panchamaha Bhuta Lingams

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Located in five south Indian temples, the Bhuta Lingams are said to be places where Shiva manifested himself as the natural elements.

The temples and their respective elements are

1. Chidambaram or Chidambareshwar: Ether (Akasa)

2. Sri Kalahasti or Kalahastishwar: wind (Vayu)

3. Tiruvanaikka/Jambunath / Jambukeshwar near Sriramgam: Water / Jala

4. Kanchipuram / Shivkanchi: (Prithvi) Earth

5. Tiruvanamalai (Arunachalam): (Agni) Fire




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Surya Grahan and Pregnant Women – What should Pregnant Women do during Suryagrahan in Hindu Religion?

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Sunday, January 25, 2009

There is lot of fear among many Hindus regarding Surya Grahan (Solar Eclipse) and Pregnancy. Most people want to know about precautions to be taken during Surya Grahanam. The only precaution that you should take is that you should never look at the Sun directly during the Grahan. As a clear cut solution, ancient seers in Hinduism recommend pregnant women remain indoors during Grahan. The mantra chanted during the period is the Santana Gopala Mantra.

Astrological View Point

Now for those of you believe in astrology, there is a ‘punya kala’ when the Surya Grahan is visible. And people observe fasting during this period. If the Grahan is not visible in the particular region, there is no ‘punya kala’ and there are no restrictions.

There is no restriction in moving around if there is no Surya Grahan in your region.
Ayurvedic View Point

Some traditions in Hindu religion ask pregnant women to sit or lie down on a mat containing Darbha grass or Kusha Grass. It is also advised to keep some Kusha Grass with the pregnant woman.

Fasting during Grahan

Now there are several Hindu communities that fast (Upvaas) during Surya Grahan. A pregnant woman should take the advice of her doctor before fasting. If you are so particular about fasting, you can fast just during the Surya Grahan period and avoid a complete fast.

Mantra During Surya Grahan

The mantra that is chanted during Surya Grahan by pregnant women is the Santana Gopala Mantra.




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What to do during Surya Grahan? – Surygrahan or Solar Eclipse in Hinduism

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There are numerous recording of Surya Grahan, or Solar Eclipse, in Hindu scriptures. The most famous being the Suryagrahan during the famous Mahabharata war. Usually, Hindus do not perform any work during Surya Grahan and they purify themselves by taking a bath and chant mantras. A complete fast is undertaken by many Hindus during the period. In Hindu religion, taking a holy dip at sacred rivers and tirths on the Surya Grahan day is considered highly auspicious.
The next Surya Grahan is on January 26, 2009 from from 10:26 hrs to 16:30 hrs (Indian Standard Time).

Ancient sages and texts like Brahman Siddhanta restrict viewing the eclipse – one should look at an eclipse through a cloth or a reflection of it. A pregnant woman should never look directly at an eclipse.

Mantras Chanted during Surya Grahan

Some of the important mantras that are chanted during the Surya Grahan include:

Gayatri Mantra

Ashtakshara Mantra dedicated to Shri Krishna. Ashtakshara mantra is ‘Shri Krishna ha sharnam mama.’ Astakshari Mantra is also taken as ‘Om Namoh Narayan Na Yah.’

Mahamrityunjay Mantra is also chanted during eclipse.

Other mantras chanted are Surya Kavach Strotra and Aditya Hridaya Strotram



It is important that one chants mantra or remember god in any form at this time to keep calm and the aura clean.

Hindu Temples Remain Closed

All Hindu Temples remain closed during Surya Grahan. Temples open only after proper rituals are performed to get rid of the ill effects of the Surya Grahan. However, some Lord Shiva temples remain open during Surya Grahan as Lord Shiva is considered as ‘Layakara,’ who Himself is an embodiment of darkness.

Fasting During Surya Grahan

Adult Hindus stop eating 12 hours before a solar eclipse. Children, old people and those who are ill stop eating 3 hours before the beginning of a solar eclipse. If the solar eclipse ends after sunset, then people fast during night and consume food only next day morning.

One should not take food at the time of Grahan because it is said that at this time the most harmful rays from the sun can be seen and absorbed.

Pregnant Woman and Surya Grahan

Normally at the time of Surya Grahan, pregnant women are supposed to not come out of the house, with no sunlight entering either by doors or windows. This is to avoid harmful rays. You can find more detail regarding Surya Grahan and Pregnancy in this article.




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Sri Venkatesa Mangalasasanam

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Wednesday, January 21, 2009

Sri Venkatesa Mangalasasanam


1. Sriyah kanthaya kalyana nidhaye nidhayerthinam
Sri Venkata nivasaya Srinivasaya Mangalam.

2. Lakshmi savibhramaloka-subhru vibhrama chakshushe
Chakshushe SarvaloKanam Venkatesaya Mangalam.

3. Sri Venkatadri Sringagra-Mangalaha bharananghraye
Mangalanam nivasaya Venkatesaya Mangalam.

4. Sarvavayava soundarya Sampadha Sarvachethasam
Sada sammohanayasthu Venkatesaya Mangalam.

5. Nithyaya niravadhyaya Sathyananda chidhathmane.
Sarvantharathmane Srimad Venkatesava Mangalam.

6. Swathassarvavide sarvasakthaye Sarvaseshine.
Sulabhaya Suseelaya Venkatesaya Mangalam.

7. Parasmai Brahmane Poorna Kamaya Paramathmane.
Prayunje Parathathvaya Venkatesaya Mangalam.

8. Akalathathva masrantha mathmanamanu-pasyatham.
Athripthya mritha rupaya Venkatesaya Mangalam.

9. Prayah swacharanow Pumsam Saranyathvena Panina.
Kripaya dhisathe Srimad-Venkatesava Mangalam.

10. Dhayamritha tharanginya-Stharangairiva Seethalaih.
Apagaissinchalhe viswam Venkatesava Mannalam.

11. Sragbhushambara hetheenam Sushamava hamurthaye.
Sarvarthi Samanavasthu Venkatesaya Mangalam.

12. Sri Vaikunta virakthaya Swami Pushkarineethate
Ramaya Ramamanaya Venkatesaya Mangalam.

13. Srimad sundarajamathru manimanasavasine.
Sarvaloka Nivasava Srinivasaya Mangalam.

14. Mangalasasana paraih madacharya Purogamaih.
Sarvaischa Purvairacharyaih Sathkrithayasthu, Mangalam.




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Sri Venkatesa Prapathi Meaning

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Sri Venkatesa Prapathi

1. Eesanam jagothosya Venkatapathe: vishno:
paraam preyaseem—Thadhwakshasthala
nithyavasarasikam thath kshanthi samvardhineem
Padmalankrutha pani pallavayugam Padmasanasthaam
Sriyam—Vathsalyadi gunojwalam
Bhagavatheem vande jaganmatharam


1. Sri Srinivasa! Sri Lakshmi ever dwells in your broad
bosom. She appeals to you to excuse my errors
and to admit poor me in your rich presence.

2. Sreeman krupajaianidhe krithasarvaloka
Sarvagna Saktanathavathsala sarvaseshin
Swamin susheela sulabhasritha parijatha
Sree Venkatesa charanow saranam prapadhye


2. Sri Venkatesa! You are an ocean of Bliss. I am
Sri Lakshmi s endearing devotee. Pray allow me to you with my ardent prayers.

3. Aanupurarpitha sujatha sugandhi pushpa
Sowrabhya Sowrabhakarow samasannivesow
Sowmyow sadanubhavanepi navanu bhavyow
Sree Venkatesa charanow
saranam papadhye


3. Fragrant Flowers adorn your Holy Feet. I am
surrendering myself to these fragrant, flowerbedecked feet.

4. Sadyo vikasi samudithvara saandra raga
Sourabhya nirbhara saroruha soumya vaartham
Samyakshu sahasa padeshu vilekhayanthow
Sree Venkatesa charanow saranam prapadhye


4. Lotus, the queen of flowers, is more too equal
to Your dazzling Feet.

5. Rekamayadwaja sudhakala saathapatra
Vajraamkrusamburuha kalpaka sanka chakrai:
Bhawyai ralankruthathalow
parathathva chinnai: Sree Venkatesa
charanow saranam prapadhye

5. Sri Srinivasa! You are Supremely omniscient. Conch
and Chakra line the soles of your Holy Feet.

6. Thamrodara dyuthi parajitha padmaraagow
Baahyairmahobhi rabhi bhootha
mahendra neelow Udhyannakhamsu—
bhirudastha sasaanka bhasow
Sree Venkatessa charanow saranam prapadhye


6. The soles of your Feet are the most dazzling,
surpassing the precious Padmaraga.
The white nails in your beautiful toes exceed the
full-moon splendour.

7. Saprema bheethi kamalakara pallavabhyam
Samvahanepi sapadiklamamatha dhanow Kantha
vavaangmanasa gochara sowkumaryow
Sree Venkatesa charanow saranam prapadhye


7. As Tirivikrama, your feet measured the world. As
Sri Rama, you roamed in the Dandakaranya Forests.
Sri Sita s caress removed the toil off thy legs.

8. Lakshmeemaheetha dhanuroopa nljanubhava
Neeladi divyamahisheekara pallavanam
Aarunya sankramanatha: kila saandra raagow
Sree Venkatesa
charanow saranam prapadhye

8. The divine touch of Nappinnai, Thirumagal and
manamagal has rendered your feet attractively red
Your Holy feet have therefore become as
soft as flowers.

9. Nithyanamadvidhi sivadi kireetakoti
Prathyupthadeepta navarathna mahaprarohai:
Neerajanavidhi
mudaramupada dhanow
Sree Venkatesa charanow
saranam prapadhye

9. Ayan, Aran and Devas are constantly at your side,
praying incessantly for the general good.
Diamonds on the heads of celestials, and the brilliance from
the inset precious stones add lustre to thy feet.

10. Vishno: pade parama ithyuditha prasamsow
Yow madhwa uthsa ithi bhogyathayapyupaaththow
Bhooyasthathethi thava paanithala pradishtow Sree Venkatesa
charanow saranam prapadhye

10. Upanishads announce your greatness in
Venghadam. Your imposing Tiruvadi are being
pointed out by you for mortals to cherish.

11. Parthaaya thathsadrusa saarathina
thvayaiva Yow darshithow swacharanow saranam vrajethi Shoyopi
mahyamihathow karadarsithowthe
Sree Venkatesa charanow
saranam prapadhye

11. You are Kannan of the Gita. You then asked
Arjuna to surrender to your feet.
And in like manner you are directing mortals to surrender
unto your feet.

12. Manmoordhni kaaliyapane
vikataataveshu Sree Venkatadri sikhare sirasi srutheenaam
Chithepyananyamanasam samamahithowthe Sree Venkatesa
charanow saranam prapadhye

12. Sri Venkatesa! You were born as Sri Rama.
You then took an avathar as Sri Krishna.
Vedas proclaim you. We adore you forever.

13. Amiana hrushyadavaneethala
keernapushpow Sree Venkatadri
sikharabharanaya manow Aanandithaakila
manonayanow thavaithow Sree Venkatesa
charanow saranam prapadhye

13. Devas and others extol you at your flower-be the
decked feet. These flowers are of an unfading kind,
as they are in constant touch at your
Tiruvadi. Bakthas are in ecstasy as they visualise
the heads of flowers at your Tiruvadi.

14. Praya: prasanna janatha
prathamavagahyow Mathu:
sthanaviva sisoramrtuhayamanow
Prapthow parasparathulamathulantharowthe Sree Venkatesa
charanow saranam prapadhye

l4. Your Tiruvadi are invincible. Bakthas, drinking the
sweet sight of your endearing Tiruvadi, are ever
ready to serve you at your Holy Feet.

1 5. Sathvotharaissathathasevya
padambujena Samsaratharaka
dayadradruganchalena Soumyopayanthru
munina mamadarshithowthe Sree Venkatesa
charanow saranam prapadhye

l5. Manawala Mamuni, extolling your Tiruvadi,
announces to the devotee world that your Holy Feet should ever be in their
thoughts and words.

16. Sreesa sriya ghatikaya thvadupaya
bhave Prapye thvayi swayamu
peyathayaspuranthya ithyasrithaya
niravadya gunayathubhyam Syam
kinkaroo Vrishagireesanajathumahyam

16. Alarmelmangai, your Heavenly consort guides us all.
Oh, God Srinivasa! Help us to cross this sea of Samsara.
We are ever your slaves.




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Sri Venkatesa Sthotram Meaning

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Sri Venkatesa Sthotram Meaning

1. Kamalakucha choochuka kunkumatho
Niyatharunithathula neelathano
Kamalayatha lochana lokapathe
Vijayeebhava Venkatasaila pathe


1. Sri Sapthagiri-vasa! Your descent from Paramapadam

You are our leader and preceptor. Sri Padmavati, Your
heavenly spouse is our endearing refuge.

2. Sachadhurmukha shanmukha panchamukha
Pram ukakhila daivatha mouli mane
Saranagatha vathsala saranidhe
Paripalayamam vrishasailapathe


2. Superb Siva and ardent Ayan do adore You. Mortal
man appeals to you to dissipate his distress.

3. Athivelathaya thava durvishahai
Ranuvela Kruthairaparada sathai:
Paritham thvaritham vrishasailapathe
Paraya krupaya paripahi Hare


3. Many a fault have I committed. I am confident
You will extend Your grace to enable me to wade through this mire of misery.

4. Adhivenkata saila mudaramather
Janathabimathadhika danarathath Paradevathaya gathithannigamai:
Kamaladayithtanna param kalaye


4. Sri Lakshmi's Lord! Upanishads adore You.
There is none greater than you.

5. Kalavenuravavasa gopa vadhu
Sathakoti vrithath smarakoti samath
Prathivalla vikabhimathath sukhadhath
Vasudeva suthanna paramkalaye

5. Sri Venkatesa! You are Lord Krishna Himself. The
melody of Your flute enchants Gopis.
Your beauty is unassailable. You are brighter than brightness itself.

6. Abhirama gunakara dasarathe
Jagadeka danurdhara dheeramathe
Raghunayaka Rama Ramesa vibho
Varadho bhava deva daya jaladhe

6. Sri Srinivasa! You are Rama Himself, the dazzling
son off Dasaratha You have won our hearts

7. Avaneethanaya kamaneeyakaram
Rajaneechara charu mukhamburuham
Rajaneechara raja thamo mihiram
Mahaneeyamaham Raghuramamaye

7. Sri Sita, Your holy Spouse, laboured hard to share
your ordeals in the forest. You annihilated the
Ravana Race and restored confidence among the
Rishis who had all surrendered to you.

8. Sumukham Suhrudam Sulabham sukhadam
Swanujam cha Sukhayamamogha—
Saram Apahaya Raghudwaha manyamaham
Na kathnchana kanchana jathu bhaje

8. Valiant Rama! You gave succour with Your
brothers to humanity in distress. You are a beacon light to posterity.

9. Vinaa Venkatesam nanatho nanatha:
Sadaa Venkatesam smarami smarami
Hare Venkatesa Praseeda Praseeda
Priyam Venkatesa Prayachha Prayachha

9. Oh Rama! there is none equal to You. You are our
benefactor. You are ever in our thought and word.

10. Aham doorathasthe padamboja yugma
Pranamechaya gathya sevam karomi
Sakruthsevaya nithyasevapalam thvam
Prayachha prayachha prabho Venkatesa

10. Sri Venkatesa! I pray to You in abundant faith;
You hurried to my rescue. Pray, grant me
the favour of serving You till this life lasts.

11. Agnanina maya doshaanaseshan vihithan Hare
Kshamasvathm kshamasvathvam
Seshasailasikhamane


11. Great God! Many an error have I committed in
ignorance. Do take me out of this ocean of misery.
Your descent from the Heavens to Tirumala, the
Booloka vaikuntam is indeed for Humanity's sake.


5




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Sri Venkateswara Swami Suprabhatam Meaning

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History

It was composed around 1500 by Sri Prativadi Bhayankaram Annan Swami, a disciple of Sri Manavala Mamuni, who also composed Sri Ranganatha Suprabhatam. Sri Venkatesa Suprabhatam consists of four parts: Suprabhatam, Sri Venkatesa Stothram, Prapatti, and Mangalasasanam.

Download suprabhatam Mp3

Meaning:


1. Kowsalya supraja Rama poorva sandhya
pravarthathe Uthishta narasardoola
karthavyam daivamahnikam (Twice)


1. Sri Rama! Kausalya's endearing son! Wake up, dear;
You have to do Your day-to-day duties; Do wake up please.

2. Uthishtothishta Govinda uthishta
garudadhwaja Uthishta
kamalakantha thrilokyam mangalam kuru (Twice)


2. Sri Govinda! All the three worlds are under Your rule;
they have to prosper. Wake up, my child.

3. Mathassamasta jagatham madukaitabhare:
Vakshoviharini manohara divyamoorthe
Sree swamini srithajana priya danaseele
Sree Venkatesadayithe thava suprabhatham


3. Sri Lakshmi! You are in Venkateswara's's bosom,
With Your lotus-eyes wide open to the world.
Get up dear.

4. Thavasuprabhathamaravindalochane
Bhavathu prasanna mukhachandra mandale
Vidhisankarendra vanithabhirarchithe
Vrishasaila nathadavithel davanidhe


4. Sri Lakshmi! The celestials viz. Parvati, Saraswati, and Indrani
stand in prayer to Thee. You have an endearing attachment to Your devotees.

5. Athriyadhi saptharushayssamupasyasandyam
Aakasa sindhu kamalani manoharani
Aadaya padhayuga marchayithum
prapanna: Seshadrisekhara vibho!
Thava suprabhatham


5. Sri Srinivasa! Maharishis like Atri are forging ahead
from far and near, for your darshan, Get up, dear.

6. Panchananabja bhava shanmukavasavadhya:
Tryvikramadhi charitham
vibhudhasthuvanthi Bhashapathipatathi
vasara shuddhi marath Seshadri
sekhara vibho! thava subrabhatham


6. Aran, Ayan, Shanmuga and Devas are all anxious to adore You.
The daily Panchangam is to be read and approved by You. Get up, Srinivasa, dear.

7. Eeshathprapulla saraseeruha narikela
Phoogadrumadi sumanohara Balikanam
Aavaathi mandamanilassaha divya gandhai:
Seshadri shekara vibho!
thava suprabhatham


7. Dawn is ahead. Flowers are opening their petals.
The morning breeze is bracing. Get up and bless Your devotees.

8. Unmeelya nethrayugamuththama
panjarasthaa: Paathraa vasishta
kadhaleephala payasani Bhukthvaa
saleelamatha keli sukha: patanthi Seshadri sekhara vibho!
thava suprabhatham


8. Parrots are chanting Your celestial names repeatedly
to the ecstasy of Your Bakthas.
Get up, God, to hear the Sahasranamams of Your Divine Self.

9. Thanthreeprakarshamadhuraswanaya
vipanchyaa Gayathyanantha charitham
thava naradopi Bhashasamagrama sakruthkara sara rammyam Seshadri
sekhara vibho! thava suprabhatham

9. Thumburu Narada is speeding up to You.
His Veena is set to sing Your glory.
Do hear these melodious songs of Narada.

10. Brungavaleecha makaranda rashanuvidda
Jhankara geetha ninadaissa sevanaya
Niryathyupaantha sarasee kamalodarebhyaha
Seshadri sekhara vibhol thava suprabhatham

10. Lotus—hidden bees, having come out
in the open with the opening of the petals, are singing solemn hymns.
Oh Srinivasa! You are omnipotent.

11. Yoshaganena varadhadni vimathyamaane
Ghoshalayeshu dhadhimanthana
theevraghoshaaha Roshaathkalim
vidha-dhathe kakubhascha kumbhaha
Seshadri sekhara vibho!
thava suprabhatham


11. Ayarpadi, ladies are singing their sweet melodies as they are churning butter.
They announce the day-dawn. Get up,
Oh Govinda! Bless these endearing Gopis.

12. Padmeshamithra sathapathra
kathalivargha Harthum shriyam
kuvalayasya nijanga Lakshmya Bheree
ninadamiva bibrathi theevranadam
Seshadri sekhara vibho!
thava suprabhatham


12. The humming black bees seem to sing that they are far
more attractive than the black 'Kuvali' flowers from
which they draw honey.All the three of you namely,
bees, flowers and Your Holy Self form a holy
Trinity in colour and splendour.

13. Sreemannabheeshta varadhakhila
lookabandho Sree Sreenivasa
Jagadekadayaika sindho
Sree devathagruha bhujanthara
divyamurthe Sree Venkatachalapathe!
thava suprabhatham


13. You have changed Your abode from Heaven to
Venkatam to give boons to Your devotees.
Do Hurry up! Venkatesa, to bless them.

14. Sree swamy pushkarinikaplava nirmalangaa
Sreyorthino hara viranchi
sanadadhyaha Dware vasanthi
varavethra hathothamangaha:
Sree Venkatachalapathel thava suprabhatham


14. Ayan, Aran and Celestials, after taking bath in
Swami Pushkarini, are awaiting Your Grace to receive blessings.

15. Sree seshasaila garudachala venkatadri
Narayanadri vrishabhadri vrishadri
mukhyam Akhyam thvadeeyavasatheranisam
vadanthi Sree Venkatachalapathe! thava suprabhatham

15. You have made Venkatam your permanent abode.
Aran, and celestials are chanting the glory of the Sapthagiri.

16. Sevaaparaashiva suresa krusanudharma
Rakshombhunatha pavamana dhanadhi
nathaha: Bhaddanjali pravilasannija
seersha deSaha: Sree Venkatachalapathe!
thava suprabhatham


16. The Dikpalakars, eight in number, are seeking
Your grace in prayerful mood to take orders for their allotted work.

17. Dhateeshuthevihagaraja
mrugadhiraja Nagadhiraja gajaraja hayadhiraja:
Swaswadhikara mahimadhika
marthayanthe Sree Venkatachalapathe!
thava suprabhatham


17. Garuda, lion, Anata, Gaja, Aswa, all these five are awaiting
Your Command to improve their way of doing things
to serve You better and more effectively.

18. Sooryendhubhouma bhudhavakpathi
kavya soori Swarbhanukethu
divishathparishathpradanaa:
Twaddhasa dasa charamavadhidaasa daasa:
Sree Venkatachalapathe!
thava suprabhatham


18. Navagrahas are awaiting Your pleasure. Please wake up

19. Thwathpadadhulibharita spurithothha
manga: Swargapavarga nirapeksha
nijantharanga: Kalpagamakalanaya
kulatham labhanthe Sree Venkatachalapathe!
thava suprabhatham


19. Surya and the rest of the Navagrahas are steadfast
in their dutiful obeissance to Your devotees.
They await Your Command to serve you through your devotees.

20. Thvadgopuragra sikharani
nireekshmana Swargapavarga
padaveem paramam shrayantha:
Marthyaa manushyabhuvane
mathimashrayanthe Sree Venkatachalapathe!
thava Suprabhatham

20. Srinivasa! Mankind desires to be with you for ever and for ever in
Venkatam and to serve You life-long.

21. Sree bhoominayaka dayadhi guna
mmruthabdhe Devadideva jagadeka
saranya moorthe Sreemannanantha
garudadibhirarchithangre
Sree Venkatachalapathe!
thava suprabhatham


21. Ananta and Garuda are eagerly standing at Your door.
Their anxious to serve You at a moment's notice is telling.

22. Sree Padmanabha Purushothama
Vasudeva Vaikunta Madhava Janardhana
chakrapane Sree vathsachinha
saranagatha parijatha
Sree Venkatachalapathe!
thava suprabhatham


22. Bakthas are chanting Your names as Vasudeva, Madhava,
Govinda, Janardhana, Chakrapani and other endearing names.
Devotees are ever ready to obey Your Command.

23. Kandarpa darpa hara sundara divya
murthe Kanthaa kuchamburuha
kutmialola drishte Kalyana nirmala
gunakara divyakeerthe
Sree Venkatachalapathe!
thava suprabhatham


23. Sri Lakshmi is enchanted by Your beauty.
She would not leave her Lord.
For the sake of Bakthas get up please and afford them Dharshan.

24. Meenakruthe kamatakola Nrusimha varnin
Swamin parashvatha thapodana
Ramachandra Seshamsharama
yadhunandana kalki roopa
Sree Venkatachalapathe!
thava suprabhatham


24. Thy descent from Paramapada was heralded in
Thy numerous avathars when You did immense good to Your devotees.
Great God, do come to us to help us in our distress.

25. Elaa lavanga ghanasaara sugandhi
theertham Divyamviyathsarithi
hemaghateshu poornam Drutwadhya
vaidika sikhamanaya: prahrushta:
Thishtanthi Venkatapathe!
thava suprabhatham

25. Vedic Savants are in wait with
Akasaganga theertham for Your morning Anushtanam.
Vedic hymns sung by them are a delight to hear and cherish.
Do get up Sri Srinivasa

26. Bhaswanudethi vikachani saroruhani
Sampoorayanthi ninadai: kakubho
vihangha: Sree vaishnavassathatha
marthitha mangalasthe Dhamasrayanthi
thava Venkata! subrabhatham

26. The twitterings of birds on all sides proclaim the dawn of the day.
Devotees are gathered in numbers and they sing their vociferous adoration to You.

27. Bhramadayassuravarasamaharshayastthe
Santhassa nandana mukhastvatha
yogivarya: Dhamanthike thavahi mangala
vasthu hasthaa: Sree Venkatachalapathe!
thava suprabhatham

27. Brahma and celestials are awaiting You
with their choicest edibles to greet You, great God.

28. Lakshminivasa niravadya gunaika sindo:
Samsarasagara samuththaranaika setho
Vedanta vedya nijavaibhava bhakta
bhogya Sree Venkatachalapathe!
thava suprabhatham

28. Devotees in ecstasy are at Your door in all eagerness.
You are in duty bound to help them with your
inimitable caress and affection; Great one!

29. ltnam vnsnacnala pamerlna
suprabhatham Ye manava: prathidinam
patithum pravrutha: Thesham
prabhatha samaye smruthirangabhhajam
Pragnyam paraartha sulabham paramam prasoothe


29. Day-to-day prayers to You, Sri Vehkatesa! fetch untold
wealth of devotional culture and fervour. God, give us your grace.




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Sri Venkateswara Swami Suprabhatam (Telugu)

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Dwaraka Tirumala ( Chinna Tirupathi )

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About the Temple:

“Dwaraka Tirumala” is an ancient holy place and a popular pilgrim center in Andhra Pradesh of South India. Dwaraka Tirumala is nearer to 'Eluru', the head quarters of West Godavari District, which is 42 KM away from Eluru. Dwaraka Tirumala is situated at 15KM distance from Bhimadole Junction, which is in between Vijayawada and Rajahmundry State Highway and Vijayawada, Visakhapatnam main Railway line.

Sthala Puranam :


This pilgrimage centre is called "Dwaraka Tirumala" after the great saint, "Dwaraka" who located the self manifested idol of Lord "Sri Venkateswara" after severe penance in a ‘Valmikam’ (ant hill). The devotees call Sri Venkateswara as Kaliyuga Vaikunta Vasa. This place is also called “Chinna Tirupati”.

As per Sastras North Indian rivers like Ganges and Yamuna are considered to be more and more holy as they go up to the origin and south Indian rivers like Krishna and Godavary are more and more holy as they go down the river to its mouth to the Sea. It is why there are numerous shrines and holy bathing ghats, at close intervals, on both sides of the great grand rivers Krishna and Godavary in their lower regions.

The region covered by our Dwaraka Tirumala is commanding the top most conspicuous position in India, being garlanded by these two great Indian rivers Krishna and Godavary, as pointed out by Brahma Purana.

The devotees who wish to go and offer their donations, or tonsures or any other offerings to Lord Venkateswara, Lord of Tirumala Tirupati, called as “Pedda Tirupati”, due to some reason, if they are unable to go there, they can offer their donations, prayers and worship in Dwaraka Tirumala temple.

Dwaraka Tirumala is a famous temple from the ancient times. According to some Puranas, the temple is popular even in Kruta yuga and is still attracting the devotees. According to Brahma Purana, Aja Maharaja, the Grand father of Lord Sri Rama also worshiped Lord Venkateswara for his marriage. On his way to the ‘Swayamvaram’ of Indumati, he passed by the temple. He did not offer prayers in the temple. The bride Indumati garlanded him, but he had to face a battle with the kings who came to the Swayamvaram. He realized that the battle was thrust on him for ignoring the temple on the way. After realizing this, Aja Maharaja prayed to the Lord Venkateswara. Suddenly the kings stopped the battle.

It is a great wonder to see two main idols under one Vimana Sikharam. One idol is a full and complete statue. The other is a half statue of the upper portion of the form of the Lord. The upper potion of the form is a self-manifested idol located by Sage "Dwaraka". The saints of the yore felt the prayers to the Lord are not complete without worshipping His holy feet. So, the saints joined together and installed a full statue behind the self-manifested idol, to worship the feet of the Lord according to Vaikhanasa Agamam.

It is believed that the prayers to the smaller statue of the Lord will lead to Moksha, and the big form stands for Dharma, Artha and Kama. The Tiru kalyanotsavam is celebrated twice a year. One for the self manifested idol in the month of “Vaisakha” and the other for the installed idol in the month of “Aswayuja”.

MAGNIFICIENCE OF THE SANCTUM SANCTORUM

On entering the sanctum sanctorum, one feels a most inspiring and enchanting experience. The presiding mythological deity Lord Venkateswara is visible upto the Bust size and the lower portion is imagined to be in the earth. The holy feet are said to be offered to Bali Chakravarthi in “Patala” for his daily worship. The full size idol of Lord Sri Venkateswara standing at the back of the main idol is said to have been installed by the great social reformer Srimad Ramanuja of the 11 th century. The idols of Padmavathi and Nanchari are installed in the Arthamandapa facing east. This is a full equipped shrine to be a Divyasthala.

COMBINATION OF SIVA AND VISHNU ON ADISESHA:

The most peculiar aspect here is that the hill appearing to be a serpant in form, even to the naked eye, confirms the mythological version that Anantha, the serpant king has taken up this terrestial form of serpant hill and is carrying God Mallikarjuna on the hood and Lord Venkateswara on the tail, thus creating a happy and harmonious compromise of Vaishnavism and Saivism at a single place.

RENOVATION AND ORIGIN OF THE PRESENT STRUCTURE:

The magnificent monuments like, Vimana, Mantapa, Gopura, Prakara etc., stand to the credit of Dharma Appa Raoa recent ruler (1762 – 1827) and the golden ornaments and silver vahanas stand to the credit of the generous queen Rani Chinnamma Rao of Mylavaram, Krishna Dist. (1877 – 1902). These things immortalize the glory of the shrine.

The main temple is a masterpiece of South Indian Architecture with its five-storied main Rajagopuram facing the south and three other gopurams on the other three sides. The Vimana is in the Nagara style and old Mukhamantapa is extended to a great extent to suit the present day needs. There are several temples of Alwars attached to the Prakara on all sides. The whole spacious compound has been paved with stone and flower trees are grown in an order as if to feast the eye of the pilgrims.

PLACES TO SEE IN THE TEMPLE

* Sri Swamyvari Temple
* Anjaneya Swamyvari and Sri Garuda Swamivari Temples
* Sage ‘Dwaraka’ Statue
* Alwar Temples
* Deeparadhana Temple
* Four corner Mandapams
* Sri Tallapaka Annamacharya Statue

ROUTE MAP

Dwaraka Tirumala pilgrimage center is situated at distance of 17 KM from Bhimadole Railway Station, which is on the main Railway line between Vijayawada and Vizag. It is at a distance of 15 KM from Bhimadole Road Junction on the Highway between Vijayawada and Rajahmundry. This is at a distance of 42 KM from Eluru, 50 KM from Tadepalligudem. There are No.of Buses through Bhimadole Junction from Eluru, Vijayawada, Gannavaram, T.P. Gudem, Bhimavaram, Narasapuram, Tanuku, Kovvur, Nuzvid, Vuyyuru R.T.C. depots and also from Jangareddy gudem, Aswarao Pet, Sattupalli, Tiruvur and Bhadrachalam depots.

Trains Stop at Bhimadole Railway Station:

1. Rayagada Passenger:

From Vijayawada to Rayagada - 22.23 PM – 22.25 PM

From Rayagada to Vijayawada - 7.01 AM – 7.03 PM

2. Kakinada – Vijayawada Passenger:

From Vijayawda to Kakinada -

From kakinada to Vijayawada -

3. Simhadri Express:

From Guntur to Vizag -

From Vizag to Guntur -

4. Kakinada – Tirupathi Passenger:

From Kakinada to Tirupathi -

From Tirupathi to Kakinda -

5. Vijayawada – Visakhapatnam Passenger:

From Vijayawada to Visakhapatnam -

From Visakhapatnam to Vijayawada -

6. Tirumala Express:

From Vizag to Tirupathi -

From Tirupathi to Vizag -

7. Eluru – Rajahmundry Passenger:

From Eluru to Rajahmundry -
From Rajahmundry to Eluru -

Official Web Site :www.dwarakatirumala.org/home.htm




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About Sri Venkateswara Temple( Tirupathi Balaji )

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The ancient and sacred temple of Sri Venkateswara is located on the seventh peak, Venkatachala (Venkata Hill) ofSri Venkateswara Swamy against the backdrop of the Golden Vimanam the Tirupati Hill, and lies on the southern banks of Sri Swami Pushkarini.

It is by the Lord’s presidency over Venkatachala, that He has received the appellation, Venkateswara (Lord of the Venkata Hill). He is also called the Lord of the Seven Hills.

The temple of Sri Venkateswara has acquired unique sanctity in Indian religious lore. The Sastras, Puranas, Sthala Mahatyams and Alwar hymns unequivocally declare that, in the Kali Yuga, one can attain mukti, only by worshipping Venkata Nayaka or Sri Venkateswara.

The benefits acquired by a piligrimage to Venkatachala are mentioned in the Rig Veda and Asthadasa Puranas. In these epics, Sri Venkateswara is described as the great bestower of boons. There are several legends associated with the manifestation of the Lord at Tirumala.

The temple has its origins in Vaishnavism, an ancient sect which advocates the principles of equality and love, and prohibits animal sacrifice.

The sanctum sanctorum which houses the awe-inspiring idol of the Lord of the Seven Hills is situated in the main temple complex of Tirumala.

Temple History

There is ample literary and epigraphic testimony to the antiquity of the temple of Lord Sri Venkateswara.

Sri KrishnadevarayaAll the great dynasties of rulers of the southern peninsula have paid homage to Lord Sri Venkateswara in this ancient shrine. The Pallavas of Kancheepuram (9th century AD), the Cholas of Thanjavur (a century later), the Pandyas of Madurai, and the kings and chieftains of Vijayanagar (14th - 15th century AD) were devotees of the Lord and they competed with one another in endowing the temple with rich offerings and contributions.

It was during the rule of the Vijayanagar dynasty that the contributions to the temple increased. Sri Krishnadevaraya had statues of himself and his consorts installed at the portals of the temple, and these statues can be seen to this day. There is also a statue of Venkatapati Raya in the main temple.

After the decline of the Vijayanagar dynasty, nobles and chieftains from all parts of the country continued to pay their homage and offer gifts to the temple. The Maratha general, Raghoji Bhonsle, visited the temple and set up a permanent endowment for the conduct of worship in the temple. He also presented valuable jewels to the Lord, including a large emerald which is still preserved in a box named after the General. Among the later rulers who have endowed large amounts are the rulers of Mysore and Gadwal.

After the fall of the Hindu kingdoms, the Muslim rulers of Karnataka and then the Britishers took over, and many of the temples came under their supervisory and protective control.

In 1843 AD, the East India Company divested itself of the direct management of non-Christian places of worship and native religious institutions. The administration of the shrine of Sri Venkateswara and a number of estates were then entrusted to Sri Seva Dossji of the Hatiramji Mutt at Tirumala, and the temple remained under the administration of the Mahants for nearly a century, till 1933 AD.

In 1933, the Madras Legislature passed a special act, which empowered the Tirumala Tirupati Devasthanams(TTD) Committee to control and administer a fixed group of temples in the Tirumala-Tirupati area, through a Commissioner appointed by the Government of Madras.

In 1951, the Act of 1933 was replaced by an enactment whereby the administration of TTD was entrusted to a Board of Trustees, and an Executive Officer was appointed by the Government .

The provisions of the Act of 1951 were retained by Charitable and Religious Endowments Act, 1966.

Official WebSite : http://www.tirumala.org

50 Years Back Video :





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