Tiruvanamalai (Arunachalam) , Tamil Nandu

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Monday, January 26, 2009

Temple is an externalized aspect of faith, and it is a place to restore peace and harmony. What great seers have visualized has been made outwardly real in a temple. This temple is safely edifice consecrated to the Lord of Light and other deities, built centuries ago at the foot of the hill to form the seat of worship. The main entrance to the sanctum sanctorum is in the eastern tower, the tallest structure in proportion to the other dimensions of this largest temple forming part of it. The tower rising heavenward is marvelously massive and magnificently majestic one with its imposing structural elegance and inviting architectural excellence and awes people at a distance.

Temple is the world's only social hope and the sole promise of peace and harmony; It purifies the society, and looks at the world with the intention of serving it, and strengthening society spiritually uniting people. The temple stands for the eternal, and the great glory of god where people praise the name of god and sing his glory. The temple offers you something you simply cannot get else where.

An Endless Echo of an incantation.

An incantation of ecstatic import echoes endlessly through out the city. This verified phrase of wisdom which glorifies lord is a holy utterance having the stamp and dignity of divinity, it yields a nourishment to the mind; it is sweet to the soul, and wholesome to the body. This line is cluster of words is the temple in which the soul of those chant is enshrined;

It has an immense power to

* Refresh the mind and make truth flow the clearest into it
* Nurses the sprit
* Wakes the soul and




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Kailasanatha Temple, Kanchipuram, Tamil Nadu

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The Pallava kings of ancient Tamil Nadu in Kanchipuram built Kailasanatha temple. These Pallava kings ruled from their capital city Kanchi or Kanchipuram (75 km from Chennai). They were great patrons of art and architecture.

The Kailasanatha temple is one of the earliest structural temples of the Pallavas. This temple was built of blocks of sandstone. The temple was dedicated to Lord Siva. During the reign of Narasimhavarman II, better known as Rajasimha (691-728 A.D.), the Kailasanatha temple was constructed. This temple has its main sanctum facing the east side. The rear wall of the temple has a sculpture of Somaskanda (Lord Siva and Uma with son Muruga in the centre), which was always seen in Siva temples of the Pallava age. There is a large sixteen-sided `Siva linga` in the temple shrine here. This linga was polished of granite, about eight feet in height in front of this sculpture, which was placed here at a later date. There is a rare feature here, which is very narrow, winding circumbulatory (pradakslrina) passage around the sanctum. It is very difficult to enter and walk through as it has very low height.

Unique feature of the Kailasanatha temple is that it was built almost entirely of sandstone with only few parts like the foundation being in solid granite to bear the weight of the big structure. The shrine is situated just in front of the main entranceway to this temple and this is unique feature of it. No other Tamil shrines are situated like this. This shrine of the Kailasanatha temple blocks the view of the main sanctum. This small shrine was built by Mahendravarman III, a son of Rajasimha, and named after him as Mahendravarmeshvara griham.




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Jambukeswarar Temple, Tiruvanaikka, Tamil Nadu

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Jambukeswarar TempleSignificance: This ancient temple is dedicated to Shiva (Jambukeswara) and Parvati (Akhilandeswari) is the foremost Saivite shrines in Tamilnadu. This large temple celebrates Shiva as Jambukeswara, an embodiment of element water and is called Appustalam and is a Pancha Bhoota Stalams - the other being Tiruvannamalai (fire), Chidambaram (Space), Kanchipuram (Earth) and Kalahasti (Air) respectively.


Antiquity: This temple was built in the 1st century BC and was patronized by the Chola Pandya, Hoysala and the Madurai Naik kings. The Chola King Ko Chenkannan built the temple. This temple was in existence during the Sangam period, and it has undergone major changes over the last 2000 years. Inscriptions from the tenth century tell of the Chola patronage. The Pandyas and the Hoysalas contributed to the Eastern tower. Architecture: This temple has five prakarams with massive walls and lofty towers. The second and the third prakarams date back to the thirteenth century. The Akhilandeswari shrine is located in the fourth prakaram. The Eastern tower has seven levels with fine sculptures of musical scenes, while the Western tower has nine levels. The first prakaram was renovated in the 20th century.

Jambukeswarar TempleLegends: There was a forest of Jambu trees near the Chandrateertha tank and Shiva is appeared under one of the trees as a lingam. Two devotees of Shiva were born under a curse as a white elephant and a spider. The elephant worshipped Shiva with flowers and water brought in its trunk hence the name Tiru Aanaikka. The spider worshipped the lingam by spinning a web on top, to protect it from falling leaves. The elephants destroyed the spider`s web, and the spider`s web was considered a desecration in the eyes of the elephant. This led to a fight between them and their death. The spider was reborn in the royal Chola family. His parents Subhadeva and Kamalavati prayed to Nataraja of Chidambaram for a male successor. The royal astrologer predicted the time and birth of a successor who would be a great ruler.




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Sri Kalahasti Temple , Andhra Pradesh

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Deity: Shiva-Vayu- Kalahasteeswara.

The Kalahasti temple is dedicated to Kalahasteswara worshiped as Vayu Lingam. The Vayu Lingam, represents the element wind out of the five elements of Agni, Vaayu, Aakasam, Jalam and Prithvi. This temple is renowned for performing Sarpadosha (Rahu Ketu) Nivaarana Pooja.

This temple was constructed in the 12th century by the Chola king, Rajarajendra. Vayu incarnated as Lord Shiva and is worshipped as Kalahasteeswara. This is an important temple dedicated to Lord Siva. This temple`s main idol is the vayu (air) linga. There is a lamp burning inside the inner sanctum that constantly flickers despite the lack of air movement inside. The vayu-linga can be seen moving despite the doors being closed. The sanctum has no windows, the lamp flames keep moving despite no air movement. The linga is white and is considered Swayambhu - self-manifested.

Kalahasti is surrounded by two hills. The Durgamba temple on the north hill and the shrine of Kannabeswara on the south hill, in memory of the Sage Kannappa, who offered an eye to the Lord. There is also a temple dedicated to Subramanya on one of the hills. A river flowing in the north washes the foot of the temple. The main linga remains untouched by human hands, even the priests do not touch it. Abhishek (bathing) is done by pouring a mixture of water, milk, camphor and panchamrita. Sandal paste, flowers and the sacred thread are offered to the utsava-murti, and not the main linga. It has an enormous, ancient gopuram over the main gate, which is 36.5 metres (120 feet) high and the entire temple is carved out from the side of the hill. King Krishnadeva Raya built this temple in1516. The temple is very ornate with elaborately designed pillars, altars, etc.




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Chidambaram Natarajar Temple, Tamilnadu

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Significance: Chidambaram has ancient and celebrated shrines in India. Chidambaram is associated with Nataraja or Shiva in Ananda Tandava pose (the Cosmic Dance of bliss) in the golden hall and the Chit Sabha. Shiva is also worshipped here as formless - Chidambara Rahasyam. Therefore the temple is known for its Akasa Lingam.

Antiquity: When the temple came about to be is unknown but literature mentions the tradition of Shiva (Nataraja) worship in existence as early as the Sangam period. The later Chola kings (Aditya I and Parantaka I) decorated the roof with gold, and the other Chola kings treated Nataraja as their guardian deity and made several endowments. The Pandya kings followed them, and the Vijayanagar rulers made endowments to the temple. There is a stone image of Krishnadevaraya in the North Gopura, which he erected. During the 18th century the Mysore rulers used this temple as a fort. During this period, the images of Nataraja and Sivakamasundari were housed in the Tiruvarur Tyagaraja temple for safety.

Each of the four most revered Saivite Saints (Appar, Sundarar, Sambandar and Manikkavacakar) has worshipped at Chidambaram, and their images are placed at the temple entrances corresponding to the points from whence they entered - (Sambandar - South, Appar - West, Sundarar - North and Manikkavacakar - East).

Legends: Aadi Sesha, heard about the splendor of Shiva`s cosmic dance. And had the desire to witness it. He descended to earth as Patanjali. Vyagrapaadar, another devotee of Shiva prayed to obtain the tiger`s claws so that he could obtain the sacred Vilva leaves meant for Shiva`s worship at Chidambaram. At the appointed hour, Shiva (with Sivakami) granted to Patanjali and Vyagrapaadar, a glimpse in to his cosmic dance with the other goods accompanied by playing the music. Vishnu witnessed this dance, and the Govindaraja shrine was built to commemorate this. Shiva performed the dance after his victory over the ascetics of Daruka Vanam.




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Panchamaha Bhuta Lingams

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Located in five south Indian temples, the Bhuta Lingams are said to be places where Shiva manifested himself as the natural elements.

The temples and their respective elements are

1. Chidambaram or Chidambareshwar: Ether (Akasa)

2. Sri Kalahasti or Kalahastishwar: wind (Vayu)

3. Tiruvanaikka/Jambunath / Jambukeshwar near Sriramgam: Water / Jala

4. Kanchipuram / Shivkanchi: (Prithvi) Earth

5. Tiruvanamalai (Arunachalam): (Agni) Fire




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